poem two / Nellie Wong at Ninety NELLIE WONG celebrates her ninetieth birthday with the publication of Nothing Like Freedom, her fifth collection, after Dreams of Harrison Railroad Park (1977), Death of Long Steam Lady (1986), Stolen Moments (1997), and Breakfast Lunch Dinner (2012). “Nellie Wong at Ninety” is a digital companion project centered around nine poems, chosen by Nellie to represent each decade of her storied life. Web Gallery Nellie at Great China Restaurant…
Chinese Culture Center San Francisco, California September 14, 2024 Nellie Wong If art cannot engage with life, it has no future —Ai Weiwei The literature, poetry, art, songs of Asian America sail and float throughout the cosmos, indeed on earth through workers’ hands, their compassion, survivors’ instincts, their respect for the living and the dead, for permanent revolution, our communal search for bread and roses, for beauty. Our voices may tremble or shout, murmur, somersault,…
poem one / Nellie Wong at Ninety NELLIE WONG celebrates her ninetieth birthday with the publication of Nothing Like Freedom, her fifth collection, after Dreams of Harrison Railroad Park (1977), Death of Long Steam Lady (1986), Stolen Moments (1997), and Breakfast Lunch Dinner (2012). “Nellie Wong at Ninety” is a digital companion project centered around nine poems, chosen by Nellie to represent each decade of her storied life. Web Gallery The Gee Wong Family (1944)…
“When a woman tells the truth she is creating the possibility for more truth around her.” ― ADRIENNE RICH This new anthology, When a Woman Tells the Truth: Writings and Creative Work by Women Over 80, edited by Dena Taylor and Wilma Marcus Chandler, will be published in the spring of 2024 by Many Names Press. The national book launch for the 80’s anthology, which includes poems by Nellie, will be held at Bookshop Santa Cruz on…
A Movie Review by Nellie Wong | February 2024 “A woman by herself is a beautiful thing,” intones the narrator of Zora Neale Hurston: Claiming a Space, a two-hour documentary produced in 2023 by PBS for the American Experience series. This vibrant film speaks well about a heretofore under-recognized anthropologist, playwright, novelist, and researcher. The viewer sees Hurston “claim her space” by doing the work she wanted to do: to tell the stories of Black…
IRONING, IRONING (For Tillie Olsen) Like a drunken fool I pick out the wrinkles linen and shirt, the foam-green dress, the black, long sleeve T and I drink ice cold glasses of lemon tea as the temperature lingers at 90 plus degrees. When I ironed as a 12-year old, I listened to the radio. Imogene Coco and Sid Caesar battled in their boisterous humor, the Lone Ranger and his faithful companion, Tonto, rode in clouds…
Hung Liu. Strange Fruit: Comfort Women, 2001, oil on canvas, 80 x 160. Private collection. http://www.hungliu.com/comfort-women.html Seven women, strange fruit, stare at you Their eyes awash with tears dripping, cast downward onto yellow straw hats, their fingers at rest but for one, stern without malice, pulls you into paint, a butterfly with purple and white wings of unheard voices as comfort women unsurreal, their lives forsaken in droughts, the moisture of art in world war…
On the first day of school the teacher asked me: What do your parents call you at home? I answered: Nellie. Nellie? Nellie? The teacher stressed the l’s, whinnying like a horse. No such name in Chinese for a name like Nellie. We shall call you Nah Lei which means Where or Which Place. The teacher brushed my new name, black on beige paper. I practiced writing Nah Lei Holding the brush straight, dipping the…
Three Seasons (Vietnamese title: Ba mùa) is a 1999 American film shot in Vietnam about the past, present, and future of Ho Chi Minh City in the early days of Doi Moi. It is a poetic film that tries to paint a picture of the urban culture undergoing westernization. The movie takes place in Ho Chi Minh City, formerly Saigon. As the characters try to come to terms with the invasion of capitalism, neon signs,…
My very first poem, We can Always, was published in the anthology, Poetry from Violence, published in 1975 by Allie Light for the San Francisco Conference on Violence Against Women. Allie Light and Ann Hershey taught “Woman as Creative Agent” in the early 70’s at San Francisco State University. I credit that class for my writing, as well as the class where the professor told me I should discard my angry poems. Just a bit…